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A Dollhouse 2041
A Modern Evangelium
In this modern evangelium, we meet Nora’s descendants, the Child Jesus and other well-known spiritual figures. What visions does Nora have for the future many, many years after she left Thorvald and her three children? Can the theatrical text Ibsen wrote 150 years ago contribute to an equal influence on our culture similar to well-known biblical texts.
Noras Wedding anno 1905
Noras Wedding anno 1905 is the second of a several experimental short films in the art project «Dance of Sins based» on Henrik Ibsen’s play «A Doll’s House». It has already received quite a few awards from a variety of filmfestivals.
In this short film, we meet Nora in 1905 when she is marrying her second husband, the same year as Norway got its independancy. Nora brings with her a priestess from Africa and the dancing guest are participating freely in the seremony, all as independant souls. Is it too good to be true? Is this wonderfull wedding only an unrealisitc dream. How will this end?
Noras Wedding anno 1905
Noras Wedding anno 1905 is the second of a several experimental short films in the art project «Dance of Sins based» on Henrik Ibsen’s play «A Doll’s House». It has already received quite a few awards from a variety of filmfestivals.
In this short film, we meet Nora in 1905 when she is marrying her second husband, the same year as Norway got its independancy. Nora brings with her a priestess from Africa and the dancing guest are participating freely in the seremony, all as independant souls. Is it too good to be true? Is this wonderfull wedding only an unrealisitc dream. How will this end?
A Dollhouse 2020
A Dollhouse 2020 is the first of a serie of experimental short films in the art project Dance of Sins based on Henrik Ibsen’s play «A Doll’s House». Since it started the journey of filmfestivals in april 2022, it has received quite a few awards.
In this artistic dance film, we meet Nora in 2020 who celebrates her birthday the year after her separation. Five other women have been invited to her birthday party in a bourgeois apartment on the west side of Oslo, Norway.
They eat, drink and dance together. To explore the transition from being married to being separated, several symbols of birth have been used in this experimental short film.
What is the role of support from other women in such rapid upheavals as both births and divorces represent? Can art give us any answers?